Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.  Related Paintings of Tintoretto :. | Crucifixion | La ultima Cena | St Louis, St George and the Princess | Tho Origin of the Milky Way | St Mark Body Brought to Venice |
Related Artists:
Jozef Israels
(27 January 1824, Groningen - 12 August 1911, Scheveningen) was a Dutch painter, and "the most respected Dutch artist of the second half of the nineteenth century".
Jean Alaux
(1785 - 2 March 1864) was a French history painter and Director of the French Academy in Rome from 1846-52. Alaux was born in Bordeaux, the son of a painter, and the second of four brothers who were all themselves painters. he received his first lessons in art from his father, but went on to formal training with Pierre Lacour, then Pierre-Narcisse Guerin. He was admitted to the École des Beaux-Arts in Paris in 1807. From 1808 he entered works for the Prix de Rome but his energies were diverted when his elder brother, Jean-Francois Alaux (1783-1858), asked him to help with a large "neorama" (a type of Panorama) he was working on. Jean eventually won the Prix de Rome's first prize in 1815, with a work entitled "Briseis weeping over the body of Patroclus", a scene inspired by The Iliad of Homer. He subsequently became a pensionnaire at the French Academy in Rome from 1816 to 1820 (later becoming its director).
Gijsbrecht Leytens
(1586-1643 or 1656), also known as The Master of the Winter Landscapes, was a Flemish Baroque painter who specialized in winter landscapes influenced by Jan Brueghel the Elder and Gillis van Coninxloo. He became a master in Antwerp's guild of St. Luke in 1611, but little else is known of his career. Like his contemporaries in Antwerp, Abraham Govaerts and Alexander Keirincx, Leytens painted wooded landscapes populated with small figures, bracketed by strong repoussoir trees. His paintings, however, were generally winter scenes, a recognized specialty known as a Winterken ("little winter").